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Sometimes when I'm considering a subject I do a wide shot, then move in closer to find the best detail shots--kind of like in movies and TV when they shoot a master of a scene, then move in for two-shots and close-ups.
So this was the master. And this woman rode through on her Vespa or whatever it is and I had already clicked. I didn't realize she was smiling until I put the shot up on the computer screen. Aren't I lucky she came through? It makes a photograph out of something that, before her arrival, was only a reference for my files. I like that the photo is mostly greens and blues, even the woman's motorcycle, except for the pinks and tans around the woman herself. And there's that one-way sign so you can't miss her! But what I love most is that she's smiling.
It was all so serendipitous. Those who follow Glimpses of South Pasadena will know why I thought of Laurie.